Event
'Wind in the Sea: Bitter Sounds', 2024, performance at C-Lab, Taiwan. Courtesy of Musquiqui Chihying.

Bitter Sounds: A Potential Rehearsal

from
on
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until
on
22
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03
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25
When
from
until
22
March
2025
14:00 – 16:00
Book Tickets

esea contemporary is delighted to present Bitter Sounds: A Potential Rehearsal, a compelling sound-based research project by artist Musquiqui Chihying, as part of our ongoing initiative Voicing the Archive. Drawing inspiration from Mauritian and Réunion Creole Séga, Jamaican Chinese Reggae, and traditional Hakka music, this innovative work forms part of Chihying’s Bitter Sounds series, which explores the complex histories of cultural exchange and migration through the lens of music tied to the legacy of Chinese indentured labour—or the 'Coolie' system—in former British colonies following the abolition of the Atlantic slave trade.

Developed during Musquiqui Chihying's residency at esea contemporary in October 2024, Bitter Sounds: A Potential Rehearsal is a collaborative project featuring music theorist and composer Arthur Yuen Po Hang, alongside musicians Mohamed Gueye and Xuandi Zhang. Together, they explore the concept of 'bitter sounds' by probing the composition of hybrid music genres through five key analytical frameworks: tradition, bitterness, transculturality, improvisation, and temporality. These concepts, rooted in the study of traditional music theory and history, serve as a foundation for examining the resilience, adaptation, and cultural hybridity of diasporic communities.

Photo courtesy of Xuandi Zhang.
Photo courtesy of Mohamed Gueye.
Photo courtesy of Arthur Yuen Po Hang.
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Caption
Biographies
Musquiqui Chihying
Mohamed Gueye
Arthur Po Hang Yuen
Xuandi Zhang
About this series
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Voicing the Archive
Project
Voicing the Archive
from
15
January
2025
until
15
March
2024
2025-01-15
‘Voicing the Archive' is a series of commissioned audio-visual works that reimagine stories of early Chinese migration to Britain.