Asia-Art-Activism is an interdisciplinary, intergenerational network of artists, curators, and academics investigating concepts relating to ‘Asia’, ‘art’, and ‘activism’ in the UK. Expanding a conversation around ‘Asia’ as a contested paradigm and the lived transnational narratives of its diasporas, migrant, and resident communities, the network highlights lesser-known accounts of Asian artists and activists in the UK, and questions ESEA invisibility within institutional narratives of British art and politics. Through its multifaceted practice of exhibitions, public programming, social gatherings, and publications, Asia-Art-Activism examines discursive conditions for ESEA artists and activists within a negotiation of decoloniality and solidarity with other protagonists of colour, and aims to develop greater alliances with other artistic and civic movements. It is motivated by the belief that an intersectional and inclusive approach resists reductive identity politics, and that spending time together is a political act of resilience and joy and an opportunity to share different perspectives and methodologies.

Clare Chun-yu Liu is a UK-based Taiwanese artist filmmaker, researcher and lecturer. She is Research Fellow at Staatliche Museen zu Berlin, Germany and was Vice-Chancellor PhD Scholar at Manchester School of Art, UK. She is interested in the Chinese diaspora and identity with a focus on lived experience and oral history. Clare has been producing postcolonial, cross-cultural and diasporic Chinese readings of chinoiserie through fictional ethnographic filmmaking. She has presented her research at Oxford University, Central Saint Martins, and University College London. Her article on the Royal Pavilion Brighton has been published by the British Art Network. Clare’s films have been shown internationally, including at the Institute of Contemporary Arts, London; EXiS, Seoul; Image Forum Festival, Japan; Kasseler Dokfest, Germany; Taipei International Video Art Exhibition, Taiwan; Goethe Institut Lisbon; and Ming Sheng Art Museum, Beijing. Her films are in collections at VIDEOTAGE Media Art Collection in Hong Kong, China, and Asian Film Archive in Singapore.

Kai Syng Tan PhD FRSA PFHEA (she/her/they) is an award-winning artist, curator, academic, consultant, agitator, change-maker, volunteer and gatecrasher. Why/what/when/how/whom (with/for) Kai does seeks to catalyse conversations and actions for a more equitable and creative future. Mobilising artistic and artful processes to develop new and meaningful connections (‘productive antagonisms’) in a playful way (‘ill-disciplined’) across disciplinary/cultural/ geopolitical/sectoral/class and other normative divides, as well as diverse/divergent bodies and bodies of knowledge, Kai generates novel insights and urgent questions.

Annie Jael Kwan is an independent curator and researcher based in London and working between the UK, Europe and Asia. Her exhibition-making, programming, publication, and teaching practice is located at the intersection of contemporary art, cultural and pedagogical activism with an interest in archives, feminist, queer and alternative histories and knowledges, collective practice and solidarity. 

In 2018, she curated the exhibition and public programme, UnAuthorised Medium in 2018 at Framer Framed, Netherlands, which featured 12 artists working with 'alternative archives' in relation to Southeast Asia. In 2019, she co-curated the Archive-in-Residence Southeast Asia Performance Collection archive exhibition and the Pathways of Performativity conference at Haus der Kunst, Munich. Most recently, she was Curator-in-Residence at FACT from 2020-2022, curating the multidisciplinary exhibition, Future Ages Will Wonder.

She leads Asia-Art-Activism (AAA) an interdisciplinary and intergenerational network of artists, curators and academics investigating ‘Asia’, ‘art’ and ‘activism’ in the UK and transnationally, launched in 2018 at Raven Row. Along with contributing to various publications as a writer, she was the co-editor of 'Southeast of Now: Directions in Contemporary and Modern Art in Asia’s guest issues: Archives' (2019) and 'Pathways to Performativity' (2022), and co-edited 'Asia-Art-Activism: Experiments in Care and Collective Disobedience' (2022). She is the instigating council member of Asia Forum that unfolded across digital gatherings in 2021, and presented an inaugural programme in Venice at the Fondazione Querini Stampalia in 2022.