Residency
Image courtesy of Trà Nguyễn

Trà Nguyễn

from
on
26
-
10
-
25
until
on
1
-
11
-
25
When
from
26
October
2025
until
1
November
2025

esea contemporary is pleased to welcome theatre-maker Trà Nguyễn for a residency as part of 'Connecting Postcolonial Diasporas via Asian Aunties.' The project supports research with Asian diasporic aunties towards a new performance on intergenerational care, developed by Nguyễn in collaboration with writer afshan d’souza-lodhi. Bringing together two female artists from Southeast Asia and South Asia, the project explores Asian-ness, womanhood, and shamanic and ritual practices shared across diasporas.

For this phase of the project, Nguyễn will host conversations and workshops in Manchester to exchange tools, stories, and modes of making. The residency will culminate in a sharing, informed by a mutual interest in embodied memory and postcolonial diasporas, speaking to the multiplicity of being Asian and dismantling the reductive label of ‘Asian art.’

Nguyễn also invites Manchester locals to join a playful workshop centred on the figure of the auntie. Open to aunties themselves, or to anyone who has an auntie in their lives, the session explores how kinship and storytelling meet on stage. Participants will first exchange ‘horror stories’ — uncanny or unsettling tales involving female figures — and reflect on what these narratives reveal. From there, the group will take part in a guided writing exercise, drawing prompts from the shared stories. No theatre experience is required — only curiosity, imagination, and a story to tell.

'Connecting Postcolonial Diasporas via Asian Aunties' is presented in partnership with The Run and British Council Vietnam, with support from Arts Council England and esea contemporary.

Image courtesy of Trà Nguyễn.
Image courtesy of Trà Nguyễn.
Image courtesy of Trà Nguyễn.
No items found.
0 / 0
Caption

Trà Nguyễn is a theatre-maker working across text, movement, and space. Her practice bridges contemporary performance, experimental writing, and embodied research into memory, language, and diasporic kinship. A Fulbright scholar with an MFA in Dramatic Writing from Carnegie Mellon, Trà founded The Run — A Theater Project, which builds experimental theatre infrastructure in Vietnam through production, training, and critical discourse. She is also developing Verbatim Bodies, a methodology that frames theatre as a space for attention, translating gesture, breath, and slow-time repetition into materials and modes of perception. Her recent work Mother Doesn’t Know Mnemosyne premiered at Forecast Festival, Berlin (March 2025), and at the Djakarta International Theater Platform (August 2025).

Biographies
No items found.
About this series